Canon announced the launch of the EOS R5 Mark II, a new full-frame mirrorless camera that outperforms the EOS R5, with groundbreaking features like the high-performance new 45-megapixel back-illuminated (BSI) stacked CMOS sensor and Accelerated Capture image processor system. Additionally, it includes enhancements such as Eye Control AF and Cinema EOS features, bringing Canon’s esteemed “5 series” from the EOS system into the next generation.
“The “5 series” is renowned for its high performance and all-rounded features, which empower videographers, content creators and hybrid shooters. In continuation of this legacy, the EOS R5 Mark II inherits the best of the EOS R5 and has been upgraded with innovative features, to make it far more superior. We believe the EOS R5 Mark II would ignite creativity and propel content creation to new heights”, said Ichinomiya Takashi, Director of Regional ICB Sales & Marketing Division, Canon Singapore.
A Power-packed New Core for Unprecedented Performance
The new 45-megapixel back-illuminated (BSI) stacked CMOS sensor leads the host of feature upgrades. The new Accelerated Capture System, consisting of the all-new DIGIC Accelerator and the DIGIC X image processor, can process high volumes of data at unprecedented speeds. Together, the two pave the way for powerful new features and enable resource-intensive processing that sets new standards for AF performance.
Dual Pixel Intelligent AF for Smarter Subject Detection and Tracking
Like the EOS R1, the EOS R5 Mark II is also equipped with the Dual Pixel Intelligent AF system, which leverages the Accelerated Capture system and deep learning. This system greatly improves subject tracking and detection during video and stills shooting. It is highly accurate and capable of tracking the subject even for scenes that were challenging for the EOS R3, like when subjects cross each other and block the main subject.
Videographers and photographers shooting events and concerts will benefit from the Register People Priority function, as it prioritises a preregistered person for subject detection and tracking even when they are in a crowd and have their face turned sideways. The new Action Priority AF mode will automatically switch the focus point to subjects that are shooting, passing, or heading, helping sports photographers capture decisive moments during dynamic, fast-paced sports such as soccer, basketball, and volleyball.
Intuitive and Highly Responsive AF Control
For the first time ever on a “5 series” camera, Eye Control AF allows user to shift the AF frame by simply looking at their new subject to focus on. Updated optics and an improved line-of-sight detection algorithm have doubled the detection frame rate as compared to the EOS R3, thus allowing faster, steadier eye movement detection.
Both photographers and videographers can also store and recall a specific focus position by utilising the focus preset function, which was only previously available on super telephoto lenses. They can register and recall up to six different AF-related settings, which allows for a quicker response to different situations.
Cinema Industry Standards for Next Level Video Production
In addition to the creative flexibility offered by its internal 8K DCI 60p RAW video recording support, the camera also provides ample industry-standard recording modes and options. Several professional production-oriented Cinema EOS system features were also included for professional filmmaking and video production needs.
The new 4K DCI 60p SRAW recording option uses the camera’s full horizontal angle of view and provides a less resource-intensive option for projects requiring RAW video’s post-production latitude. Users can simultaneously record smaller 2K, a newly included function or Full HD proxy video files to the camera’s SD card slot and 8K or 4K main files to the CFexpress Type B slot. This allows users to edit footage more efficiently. The EOS R5 Mark II possesses the ability to create spectacular 4K videos with oversampled 8K sensor output and 2K/FHD videos from oversampled 4K. In addition, the camera showcases beautiful slow-motion scenes in 4K quality (up to 5x slower) or in Full HD (up to 10x slower) with the 4K 120p or Full HD 240p.
Elevate Your Visual Storytelling
Both the EOS R1 and EOS R5 Mark II are the first EOS system cameras to offer 10-bit Canon Log 2, which provides more vivid colour reproduction. Favoured by many filmmakers for its wider dynamic range (16+ stops) and better preservation of shadow detail, Canon Log 2 expands the possibilities of post-production to meet your boundless artistic visions.
Besides the existing Picture Style colour profiles, the EOS R5 Mark II is also equipped with the Cinema EOS system’s Custom Pictures. The latter allows LUTs (lookup tables), including custom 3D LUTs for Cinema EOS to be applied in-camera even when recording in Canon Log 2/Log 3, or HDR formats so users can better visualise the output video while shooting.
Easy integration with Cinema EOS
The EOS R5 Mark II uses the new XF-AVC S/XF-HEVC S file system, which has similar specifications as the Cinema EOS file system. This system enables workflows that are incompatible with the conventional MP4 format and streamlines the multi-camera projects editing process where Cinema EOS cameras are utilised.
Cinema EOS tools that provide detailed exposure information, such as the waveform monitor, false colours, and zebra display, have also been incorporated. Users can fine-tune exposure more accurately on set and improve efficiency on multiple camera shoots where exposures must be matched.
Seize the moment
The pre-recording feature, inherited from Cinema EOS cameras, will benefit users tasked to capture defining moments. This feature captures a scene up to 5 seconds before recording starts, and can be controlled remotely via the Camera Connect mobile app. There is no need to record continuously, which means smaller file sizes, effectively reducing the time users spend reviewing their footage.
