Rod Paras-Perez is widely recognized as a major figure in Philippine art. Some of his notable works are celebrated for their dynamic use of line and color, and his contributions have been pivotal in shaping the visual language of Philippine culture. His mission to strengthen this unique visual identity remains vital as the country continues to grow and define itself.
Paras-Perez played a unique role in Philippine art history. He combined deep scholarship with a clear curatorial vision, supporting Filipino artists who broke away from tradition. He encouraged looking beyond Western influences and helped build important art collections and archives, including his involvement with the Cultural Center of the Philippines’ collection. His writing was thoughtful and aware of the cultural and political issues in art.
By focusing on local stories and experimental work, he showed that Filipino modernism has its own identity—not just one borrowed from abroad. His influence lives on through his writing and in the many artists and scholars who learned from him. He set an example for cultural work that is thoughtful, engaged, and rooted in local experience, and he reminded cultural institutions that their job is not just to preserve, but also to inspire.
Paras-Perez was also a strong supporter of printmaking. He created prints for Francisco Balagtas’ epic poem Florante at Laura.
These projects were major efforts. He did more than just illustrate the poem—he captured its magical and romantic spirit, sparking the imagination. This is clear in his prints of the lovers’ embrace and in a dramatic battle scene inspired by classical art. Using just two colors, he achieved striking intensity and emotion through his skillful use of bold lines.
Paras-Perez often employed the woodcut technique, which involved carving images into a block of wood, inking the surface, and pressing it onto paper. This method allowed him to create rich textures and contrasts, giving each piece a vivid presence. His use of symbolism was equally potent; for instance, the lovers’ embrace symbolizes unity amidst adversity, while the battle scene reflects the enduring struggle for freedom.
Flourishing at a time when the nation was at a cultural crossroads, particularly in the late 20th century, these prints resonated powerfully with the Filipino people.
The National Commission for Culture and the Arts (NCCA) once published a special book featuring these beautiful woodcut prints, celebrating an important part of Philippine culture. What made this book especially significant were its insightful essays, detailed commentary, and the inclusion of rare images that offered readers a deeper understanding of Rod Paras-Perez’s artistry and vision. Although the book is now out of print, the prints can still be purchased at the Sanso Foundation’s Scholarship Café.
You can see Paras-Perez’s prints at the Scholarship Café, along with other great works of art at Fundacion Sanso, located at 32 V. Cruz, Brgy. Sta. Lucia, San Juan, Philippines.
You may reach Chong Ardivilla at kartunistatonto@gmail.com or chonggo.bsky.social.
