Senior director Mac Alejandre has teamed up once again with National Artist for Film and Broadcast Arts Ricky Lee to create a film that is expected to be both moving and thought-provoking.
Under Viva Films, the period drama Celestina: Burlesk Dancer explores themes of survival, love, and dignity amid the chaos of war. Set during the Japanese occupation of the Philippines in the 1940s, the film follows the story of Celestina, or Tinay (Yen Durano), a mother and burlesque dancer who struggles to provide for her family. Her challenges are compounded by a crumbling marriage to Cornelio (Sid Lucero), a former haciendero who has fallen into gambling and infidelity.
At a recent media conference, Alejandre spoke about the film’s relevance, noting how its universal themes of resilience and empowerment resonate today.
“Through these stories, we not only remember what happened in the past, but they also prepare us for what might happen tomorrow,” he said.
He continued, “Why is this story important? Because we can see that the desires and aspirations of women then, today, and possibly in the future, are the same. They all want the same things. All women, or all people for that matter, want to be happy and loved sincerely.”
Celestina: Burlesk Dancer also marks Alejandre’s return to the big screen after a series of projects for Vivamax. He described the transition as both exciting and challenging.
“When Boss Vic [del Rosario] said, ‘Let’s make this for cinema release but let’s keep it daring,’ I was thrilled. It took a while to develop because we wanted something unique—a period film that would do justice to its setting and characters,” he said.
Inspired by Celso Ad Castillo’s Burlesk Queen, a classic film starring Vilma Santos, Alejandre, and Lee sought to create a fresh yet equally bold narrative.
“We loved Burlesk Queen. It’s a masterpiece. But we didn’t want Celestina to be just a reflection of that. After months of brainstorming, Ricky came up with a story that felt fresh yet carried a similar depth and boldness,” he explained.
The film’s research and creative process ensured that Celestina: Burlesk Dancer would stand out as a distinct work, even while nodding to Castillo’s artistry.
Alejandre also explained the decision to set the story during the Japanese occupation, a period marked by fear and resilience. “Period films come with their own set of challenges, from research to authenticity in costumes and settings. But they also offer a richness that can elevate the storytelling,” he said.
For the movie’s lead actress, stepping into the role of Tinay required both emotional and physical commitment.
“The character of a burlesque dancer is very empowering, especially during ancient times when society was more conservative. To have that as a profession is very strong and says a lot because not everyone can do that,” said Yen.
Also part of the cast are Ahron Villaflor and Christine Bermas. Celestina: Burlesk Dancer premieres in cinemas nationwide on Dec. 4.
