A prince undergoes three trials to win the heart of the most beautiful woman he ever laid eyes on, the daughter of the Queen of the Night.
This is the romantic plot of the opera Die Zauberflöte, which kicked off the eighth season of the CCP’s The Met: Live in HD yesterday at the Greenbelt 3’s Cinema 1.
The series of Met Opera in HD screenings is part of the special program of the CCP Film, Broadcast, and New Media Division (CCP FBNMD), under the Production
A prince undergoes three trials to win the heart of the most beautiful woman he ever laid eyes on, the daughter of the Queen of the Night.
This is the romantic plot of the opera Die Zauberflöte, which kicked off the eighth season of the CCP’s The Met: Live in HD yesterday at the Greenbelt 3’s Cinema 1.
The series of Met Opera in HD screenings is part of the special program of the CCP Film, Broadcast, and New Media Division (CCP FBNMD), under the Production and Exhibition Department, in partnership with The Metropolitan Opera of New York, the Filipinas Opera Society Foundation, Inc., and Ayala Malls Cinemas.
The series showcases operatic productions through the High-Definition (HD) digital video technology and Dolby Sound, recreating the experience of watching an opera production at the Met “live.”
First premiered in 1791, Die Zauberflöte (translated as The Magic Flute) was written for a theater located just outside Vienna, specifically the Freihaus-Theater auf der Wieden, with the clear intention of appealing to audiences from all walks of life.
“A sublime fairy tale that moves freely between earthy comedy and noble mysticism,” the opera was actually the last produced work by Wolfgang Amadeus Mozart, who died three months after the premiere of Die Zauberflöte. His friend, Emanuel Schikaneder (1751–1812), wrote the opera’s libretto, staged the work, and sang the role of Papageno in the initial run.
With its varied tones, Die Zauberflöte requires opera singers who can specialize in several different musical genres – earthy baritone voice for Papageno, noble tenor form for Prince Tamino, queenly soprano for Pamina, and solemn bass for Sarastro. For this opera, the chorus is quite sparse.
The Magic Flute is characterized by singspiel, where musical numbers are connected by dialogue and acting. While it may be sung in a different language, its story is quite universal that everyone can relate to.
For this Met opera version, renowned English director Simon McBurney took a more modern approach to the classic adventure of Prince Tamino and Papageno to find Pamina, the daughter of the Queen of the Night. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable.
One of opera’s most beloved works receives its first new Met staging in 19 years, the brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro. Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast.
If you miss the opening salvo of the CCP’s The Met: Live in HD, there are other iconic operas that you catch in this series. Another Mozart work, Don Giovanni, will be screened on August 1. This opera is a dramatic retelling of the story of Don Juan, a lustful womanizer who finds his desires to be the cause of his destruction at the end of the day.
Tony Award–winning director Ivo van Hove made his major Met debut with a new take on Mozart’s tragicomedy, re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the dark corners of the story and its characters.
Maestro Nathalie Stutzmann made her Met debut in this opera staging, conducting a star-studded cast led by baritone Peter Mattei as a magnetic Don Giovanni, alongside the Leporello of bass-baritone Adam Plachetka. Sopranos Federica Lombardi, Ana María Martínez, and Ying Fang make a superlative trio as Giovanni’s conquests and tenor Ben Bliss is Don Ottavio.
Giuseppe Verdi’s glorious Shakespearean comedy, Falstaff, will be screened on September 5. In this Robert Carsen’s celebrated staging, baritone Michael Volle sang his first Verdi role at the Met as the caddish knight Falstaff, gleefully tormented by a trio of clever women who delivered his comeuppance.
Reuniting after their acclaimed turns in the production’s 2019 run are soprano Ailyn Pérez as Alice Ford, mezzo-soprano Jennifer Johnson Cano as Meg Page, and contralto Marie-Nicole Lemieux as Mistress Quickly. Soprano Hera Hyesang Park and tenor Bogdan Volkov are the young couples Nannetta and Fenton, and Maestro Daniele Rustioni conducts.
Come October 3, opera fans can watch Umberto Giordano’s Fedora, which made a comeback after 25 years for Met Opera’s season 2022-23. The exhilarating drama is packed with a memorable melody, show-stopping arias, and explosive confrontations, brought to life by its wonderful cast, led by soprano Sonya Yoncheva, one of today’s most riveting artists, who takes the titular role of the 19th-century Russian princess who falls in love with her fiancé’s murderer, Count Loris, sung by star tenor Piotr Beczała. Completing the cast are Rosa Feola as Olga, Piotr Beczala as Loris Ipanoff, and Lucas Meachem as De Siriex.
Director David McVicar delivers a detailed and dramatic staging based around an ingenious fixed set that, like a Russian nesting doll, unfolds to reveal the opera’s three distinctive settings—a palace in St. Petersburg, a fashionable Parisian salon, and a picturesque villa in the Swiss Alps.
Engelbert Humperdinck’s Hansel and Gretel, the childhood fairytale we’ve all come to know and love, is coming to the Ayala Cinema on November 7. A deliciously dark take on the beloved Brothers Grimm fairy tale, this opera stars Alice Coote and Christine Schäfer as the famous siblings lost in the woods who battle the ravenous Witch, portrayed by tenor Philip Langridge. The Met Orchestra, under the baton of Vladimir Jurowski, performed a folk-inspired score.
The season ends with another Mozart masterpiece, Cosi Fan Tutte, on December 5. Part of the Met’s popular English-language holiday series, this opera is a twisted tale about two pairs of lovers who find themselves on one emotional, and sometimes literal, thrill ride after another.
The production features a cast of breakout young artists – soprano Amanda Majeski, mezzo-soprano Serena Malfi, tenor Ben Bliss, and bass-baritone Adam Plachetka. Baritone Christopher Maltman, as the scheming Don Alfonso, and Tony Award–winning actress Kelli O’Hara, who triumphed in her 2014 Met debut in Lehár’s The Merry Widow. David Robertson conducts Mozart’s colorful and heartfelt score.
Director Phelim McDermott and his team of designers have updated the opera’s setting to a boardwalk amusement park inspired by Coney Island in the 1950s.
All screenings are scheduled at 5:30 p.m. at Cinema 1 Greenbelt 3 in Makati City. Tickets are priced at P450.00. Students and young professionals may enjoy the screenings at P100.00 upon presentation of valid ID. Tickets are available at Greenbelt ticket booths and the website www.sureseats.com.
