Quezon City Rep. Juan Carlos “Arjo” Atayde urged on Monday the swift approval of House Bill No. 384, a measure seeking to institutionalize film and television tourism as a national economic strategy, saying the Philippines must act decisively or risk losing billions in tourism revenues, jobs, and global exposure to competing countries.
Atayde stressed that film and television productions do more than entertain—they influence travel decisions, shape international perceptions, and transform filming locations into long-term tourism destinations.
“There is a unique kind of pride that every Filipino feels when our country appears on the global screen,” Atayde said, noting that when people see the Philippines in a film or series, they become curious about the country’s culture, traditions, and people.
The proposed measure, entitled “An Act Establishing a Framework for Film and Television Tourism in the Philippines, Creating an Inter-Agency Committee on Film and Television Tourism and for Other Purposes,” seeks to create a coordinated system that will attract both local and international productions through streamlined processes and strategic support mechanisms.
The multi-awarded actor pointed out that global competition for film productions has intensified, with many countries offering tax incentives and simplified regulatory procedures to secure major projects.
Without a competitive framework, he warned, the Philippines stands to lose not only filming opportunities but also employment generation, infrastructure development, tourism growth, and sustained international visibility.
The lawmaker described film tourism as one of the most cost-efficient forms of destination marketing, explaining that a two-hour film can promote Philippine landscapes for decades. In the age of streaming platforms and global distribution, exposure is no longer seasonal but continuous.
Beyond boosting visitor arrivals, Atayde said the bill will create more opportunities for Filipino artists, technical crew, creative professionals, and local service providers to participate in global productions, strengthening the domestic film industry while elevating the country’s global profile.
“This is not merely a cultural initiative,” Atayde said.
“It is an economic strategy. It is an employment generator. It is an investment promotion tool.”
He added that while the Philippines has always been “camera-ready,” the country now needs a system that ensures that when cameras roll, Filipino communities and the national economy directly benefit.
Atayde ended his sponsorship by calling on his colleagues to support the measure and “transform every frame into opportunity, and every story into national growth.”
