There’s something different about following SB19. Since its debut in 2019, the group has made it clear they’re not only here to deliver catchy tracks or stylish visuals—they’re here to represent Filipino identity on the global stage.
With the release of “Dungka!” and “Time” and the extended play (EP) Simula at Wakas, that mission feels more personal than ever, especially for those who have been there from the start.
When Pablo spoke to Manila Standard Entertainment ahead of the release of the new music videos and EP, he talked about what lies ahead for the group and how their collective goal remains intact.
“We have achieved a lot, and we still have many things we want to do, especially now that there are more groups emerging,” the group’s main rapper said. “We hope that there will be more programs to support our local music, and one day, we could export our music and content. So yes, our goal remains the same.”
For SB19, success means creating opportunities for themselves and for the many Filipino artists working toward the same dream. Justin emphasized this too, pointing out that while their approach may have been unique, they are part of a larger movement bringing Filipino music forward.
“In reality, there are so many artists who showcase Filipino talents. It just so happens that we did it differently, but there’s a pool of artists that made a big impact on introducing Filipino music across the globe,” Justin humbly added.
That sense of shared purpose is clear in “Dungka!,” a surprise release that arrived without teasers or countdowns. Directed by Kerbs Balagtas, the video is a burst of life—fast, colorful, and packed with familiar faces like Mimiyuuuh, Maymay Entrata, and Vice Ganda. It captures the energy of a Manila street party while spotlighting themes of individuality and community.
And just as “Dungka!” invites celebration, “Time” encourages reflection. Its video, directed by 1032 Lab, lingers on quiet scenes—shared meals, warm embraces, stillness among friends.
“One day we’ll run out of time,” the lyrics warn, gently reminding fans to hold on to the moments they have now. For those who’ve followed SB19 through their early struggles, it feels like a letter of thanks—soft, sincere, and deeply felt.
Both songs are part of Simula at Wakas, a seven-track EP that traces growth, closure, and new beginnings.
SB19 had a hand in every part of its creation, from writing and production to visual direction. Collaborating with international producers like Xerxes Bakker, Alawn, and August Rigo, they still kept creative control close. And with that control, they stayed true to their connection with A’Tin.
That connection now extends to the Simula at Wakas World Tour, starting with two shows at the Philippine Arena—one already sold out. But this isn’t just about scale or spectacle. Each performance includes new arrangements and emotional layers shaped for the fans. Every show is a tribute, a parting gift, and an invitation to keep going.
What sets SB19 apart is their steadiness, humility, and constant acknowledgment of the people who have supported them. Their new songs serve as reminders that this journey has always included the fans—that SB19’s rise was built on something shared and rooted in Filipino pride.