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Friday, March 29, 2024

Unity in diversity

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Panaghiusa (unity/oneness): Indigenous Peoples-Moro Arts Fest and Forum opened recently in Koronadal City. It was jointly undertaken by the Cultural Center of the Philippines (CCP) through its Cultural Exchange Department (CED) and the Ramon Magsaysay Memorial Colleges Marbel Inc. (RMMCMI).

Panaghiusa is one of the CCP Kaisa sa Sining (KSS) Mindanao Collaborative projects for 2023 which was planned during the KSS Regional Caucus and Dialogue held last June 11 to 13, 2022 in Koronadal City. The key representatives of the KSS Mindanao crafted action plans to prioritize and implement attainable cultural and artistic programs and projects that would benefit the community. 

Panaghiusa highlights the various experiences, voices, and expressions through exchanges of ideas and knowledge, performances, and interactions.  It is in the purview of the Mindanao IPs and the Moros themselves, so settlers understand and appreciate IP – Moro’s right to self-determination and sovereignty.

Panaghiusa is one of the CCP Kaisa sa Sining (KSS) Mindanao Collaborative projects for 2023

As advocates of IP-Moro culture, Mindanaoan artists and cultural formators converge to let their voices be heard and take the necessary actions to make an impact in the lives and future of the IP-Moros in Mindanao. Datu Victorino Saway of the Talaandig community, Nestor Horfilla of Davao City, and other prominent leaders of various cultural communities and organizations led the open discussions and strategic planning on priority concerns of the IPs and Moros to include food security, women leadership, disaster risk reduction, resiliency building, and cultural appropriation, among other activities.

The activities were aptly titled Kastulen (conversations), Hegefan (performances), Pagana (traditional cooking), Kalyak (valuable material)).  A total of 20 cultural communities were represented in the 2-day fest and forum:  Manobo, Talaandig, Daraghuyan, Tagolwanen, Blaan, Iranun, Tboli, Arumanen, Sama, Tausug, Sangir, Maguindanao, Teduray, Maranaw, Subanen, Yakan, Kagan, Higaonon, and Mamanwa.  

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Special performances were also lined up and showcased the rich and colorful dances, music, and rituals of some of the groups with the special participation of the Hinugyaw Dance Troupe, Bayang Barrios, Carlito Amalla, Helobung Cultural Dance Troupe, and the Marbel Youth Choir.

The Pagana cooking demos featured the traditional cuisine of the Maranaws, Sama, Tboli, and Subanen.  A General Santos City artist, educator, and curator built an exhibition titled Tawid: Shifts in Gender Roles in Traditional Visual Arts.  

The exhibit featured the Iranun Art of Binalodan Inaul, an enduring expression but threatened as there was only a small community of weavers who produce these Cultural Resources. It is Ikat (resist dyeing technique) on weft thread.  Works by Moamar A. Garcia and Jala Daudl were exhibited and had a balod (tieying of the patterns) demonstration.

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