Why super rich fashionistas are not crying for Paris shows

By Gersende Rambourg

Paris―One very select group of fashionistas were not crying into their cocktails when the Paris fashion shows were canceled because of the coronavirus.

Why super rich fashionistas are not crying for Paris shows
French fashion designer Julien Fournie (right) poses with his Czech model Michaela Tomanova during the shooting of a film designed in place of the fashion show on June 30, 2020 as France eases lockdown measures taken to curb the spread of the COVID-19 disease caused by the novel coronavirus. AFP
The tiny group of super rich women who buy the ruinously expensive handmade creations that adorn the runways of Paris haute couture week knew that meant their favorite designers would have to come to them.

“I thought they would be upset,” the French courtier Julien Fournie told AFP as he prepared looks for his film for the French capital’s first virtual fashion week, which starts Monday.

“But it was quite the opposite,” he added.

Haute couture’s made-to-measure creations―which are only shown in Paris―can cost the price of a luxury sports car.

With no glitzy shows to go to this time, the jetset queens that usually patronize them expect their own personalized presentations in their palaces and penthouses.

Fournie, who trained as a doctor before turning his passion and considerable anatomical know-how to couture, said he was used to flying to the Middle East and Asia with the head of his studio, Mademoiselle Jacqueline, for fittings and adjustments.

Royal clientele

The difference between couture creations and those you buy off the rail is between night and day, he insisted.

“While you have to get into ready-to-wear clothes”―adapting your body to the norm―“in haute couture, the clothes are made to wrap you,” the designer said.

And Fournie only makes one-off pieces to ensure the exclusivity that his very well-heeled clients crave.

“Once a client from a royal family cancelled an order after seeing a similar creation worn by Lady Gaga,” said the house’s director, Jean-Paul Cauvin.

“For them, exclusively is everything, and they don’t want that tainted by fame or vulgarity.”

For that reason, Fournie tends to avoid lending his dresses out to stars for red carpet events, except when the singer or actress has a style that really chimes with the “DNA of the house.”

Fournie’s film for his virtual Paris show on Tuesday is more of a teaser than a classic run through the collection.

Cut for ‘real women’

“We are not showing too much,” Cauvin said, to avoid any unseemly competition that might sometimes arise after shows when “clients really set their heart on a particular look and want to put an option on it” before anyone else does.

This time, without a formal show, it will be more about pampering the client, Cauvin added. “The couturier will have dresses in mind just for them.”

Fournie is known for designing for “real women” with “breasts and hips and not for gamines” or the androgynous clothes-hanger models that often dominate the catwalks.   

“We don’t create fashion, we create personalities,” he told AFP as he put the finishing touches to his “Storm dress,” a silk gown entirely embroidered with goose feathers.

“Whoever wears this after the coronavirus will be like an angel returning to Earth,” Fournie declared.

“I want to help my clients fulfill their destiny, support them, and help them take flight,” he added with a flourish. 

Topics: Paris , fashion shows , Julien Fournie , rich women , Mademoiselle Jacqueline
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